Sans Superellipse Gybud 4 is a regular weight, very wide, low contrast, italic, tall x-height font visually similar to 'Cubest' by Mans Greback (names referenced only for comparison).
Keywords: tech branding, sports graphics, ui labels, headlines, posters, futuristic, technical, sporty, efficient, sleek, speed, modernity, precision, tech feel, systematic, rounded corners, squared curves, oblique, monoline, industrial.
This typeface is built from rounded-rectangle and superellipse-like forms, producing squared curves with consistently softened corners. Strokes are monoline and clean, with an oblique (forward-leaning) stance that creates a fast, directional rhythm. Counters tend to be rectangular and open, and terminals are blunt with rounded edges. The overall geometry feels engineered and modular, with compact curves, sturdy verticals, and a tight, graphic texture in text.
It works best where a modern, engineered voice is desired: technology and gaming identities, sports and motorsport graphics, product branding, and interface headings or labels. The oblique slant and blocky rounded construction give short strings—titles, logos, packaging callouts, and on-screen navigation—a decisive, contemporary punch.
The tone reads modern and performance-oriented—sleek, technical, and slightly futuristic. Its rounded-square construction adds a friendly smoothness while still feeling mechanical and precise, making it well suited to contemporary digital and product aesthetics.
The design appears intended to merge a geometric, grid-friendly construction with softened corners, creating a pragmatic sans that feels fast and futuristic without becoming sharp or aggressive. The oblique posture and squared counters emphasize motion and efficiency while preserving clear, consistent letterforms for display-oriented use.
Distinctive angular/rounded hybrids show up throughout: squared bowls and counters, clipped-looking joins, and strong diagonal energy in letters like K, R, and the numerals. The forms maintain a consistent radius and stroke behavior, which helps the set feel cohesive in both uppercase and lowercase. The figure set matches the same rounded-rect logic, supporting a unified typographic voice across alphanumerics.