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Sans Superellipse Kape 3 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'PODIUM Sharp' by Machalski and 'Kairos Sans' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, assertive, retro, dynamic, punchy, impact, motion, branding, display strength, modernize, rounded, oblique, compact, blocky, smooth.


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A very heavy, oblique sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and uniform with only modest modulation, and counters tend to be tight, creating dense, high-impact lettershapes. The forms lean forward consistently, with broad, flattened curves on C/O/S and squared-off terminals that read as cut, slightly chamfered ends. Uppercase is wide-shouldered and compact, while lowercase keeps a sturdy, utilitarian rhythm with simple, single-storey constructions where applicable and sturdy verticals in h/n/m. Numerals follow the same superelliptical logic, with rounded interior shapes and a tall, blocky presence.

Best suited for short, high-impact copy such as headlines, posters, apparel graphics, and sports or event branding where a strong, kinetic voice is desired. It also works well for large-format signage and packaging titles that benefit from bold, compact forms. For longer passages, the tight counters and heavy color suggest reserving it for display use rather than body text.

The overall tone is forceful and energetic, with a forward-leaning stance that suggests motion and urgency. Its chunky, rounded geometry adds a friendly toughness, balancing aggression with approachability. The result feels sporty and slightly retro, like branding seen on uniforms, equipment, or bold promotional headlines.

The design appears aimed at delivering maximum impact with a streamlined, geometric feel—pairing a strong oblique slant for motion with rounded-rectangle shapes for a modern, approachable edge. It prioritizes bold presence and quick recognition in branding and promotional contexts.

Spacing appears intentionally tight at display sizes, emphasizing a solid typographic mass. Many joins and shoulders are smoothed into broad curves rather than sharp angles, which helps maintain clarity despite the heavy weight. The italic slant is substantial and consistent, making the style read more as a purposeful oblique display than a subtle text italic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸