Sans Superellipse Allab 13 is a regular weight, wide, monoline, upright, normal x-height, monospaced font visually similar to 'Elsinor JNL' by Jeff Levine (names referenced only for comparison).
Keywords: ui labels, hud screens, terminal styling, data tables, tech branding, tech, retro, utilitarian, clean, futuristic, interface clarity, modular system, retro-tech tone, numeric legibility, squared, rounded corners, geometric, modular, pixel-adjacent.
A geometric sans built from squared, rounded-rectangle contours and consistent stroke thickness. Curves are minimized in favor of superellipse-like corners, producing boxy bowls (C, D, O, Q, 0) and straight-sided counters. Terminals are mostly flat and orthogonal, with occasional softened joins, and diagonals appear in letters like K, V, W, X, Y, and Z without changing the overall mechanical rhythm. The figures are similarly squared with open, angular constructions, and the overall spacing and cadence suggest a uniform, grid-friendly design.
Well suited to interface text, dashboards, and on-screen labeling where a structured, grid-consistent rhythm helps scanning. It can also support tech-forward branding, packaging, or posters that want a retro-digital voice without resorting to overt pixel fonts.
The font reads as technical and system-like, with a restrained, engineered feel. Its rounded-square geometry nods to retro computer and sci‑fi interfaces while staying clean and matter-of-fact rather than decorative.
The design appears intended to deliver a highly consistent, modular look based on rounded-rectangle geometry, prioritizing repeatable shapes and clarity across letters and numbers. It aims for a contemporary tech tone with a subtle retro computing reference through its squared counters and disciplined stroke logic.
Lowercase forms keep the same squared construction as the capitals, with single-storey shapes where applicable and minimal calligraphic modulation. Distinctive glyph traits include rectangular bowls and counters, a compact dot on i/j, and numerals that favor clear, segmented-looking silhouettes without true stencil breaks.