Sans Other Peso 3 is a very bold, very wide, low contrast, italic, normal x-height font.
Keywords: headlines, posters, sports branding, gaming ui, titles, futuristic, techno, racing, aggressive, industrial, speed cue, sci-fi styling, impact display, tech branding, angular, extended, slanted, chiseled, squared.
A heavy, extended sans with a pronounced forward slant and sharply cut, angular terminals. Strokes are uniform in thickness and built from squared, polygonal forms with frequent diagonal shears, giving counters and apertures a faceted, mechanical feel. Curves are largely minimized or squared-off (notably in C, G, O, and 0), while horizontal elements often appear as segmented bars, reinforcing a fast, engineered rhythm. Letterforms are compact vertically with wide set widths and tight internal geometry, producing a strong, banner-like presence in text.
Best suited to short, high-impact settings such as headlines, titles, posters, team or event branding, and entertainment/gaming UI where a fast, technical voice is desired. It can work for logos and display lockups that benefit from an extended, aerodynamic silhouette and strong angular detail.
The overall tone is high-speed and synthetic, evoking motorsport graphics, sci‑fi interfaces, and industrial branding. Its sharp angles and forward motion read as assertive and performance-driven, with a distinctly modern, machine-made attitude rather than a neutral or friendly voice.
The font appears designed to communicate speed and technology through extended proportions, a forward slant, and faceted, engineered stroke endings. Its consistent use of diagonal cuts and squared counters suggests an emphasis on a cohesive futuristic aesthetic for display-driven typography.
The design leans on distinctive cut-ins and notches that create a consistent “blade” motif across the alphabet, and several glyphs use stepped or split horizontals that emphasize motion. Numerals follow the same squared, slanted construction, maintaining a cohesive, system-like look across letters and figures.