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Free for Commercial Use

Sans Superellipse Temab 8 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, 'PT Filter' by Paavola Type Studio, and 'Hype vol 2' by Positype (names referenced only for comparison).

Keywords: sports branding, tech ui, wayfinding, posters, product labeling, sporty, technical, modern, energetic, confident, contemporary branding, dynamic emphasis, geometric clarity, display legibility, rounded corners, oblique stress, ink-trap hints, squared curves, compact spacing.


Free for commercial use
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This typeface is an oblique sans with rounded-rectangle construction and softened corners throughout. Curves tend to resolve into squarish bowls and superelliptical counters, giving O/C/G and numerals an engineered, slightly condensed feel without sharp terminals. Strokes are mostly uniform with gently chamfered joins and occasional pinched interior corners that read like subtle ink-trap behavior. The rhythm is forward-leaning and dynamic, with compact, consistent spacing and a sturdy, legible silhouette across caps, lowercase, and figures.

It suits identity systems that need a fast, contemporary voice—sports and automotive graphics, technology interfaces, and packaging or product labeling where compact, sturdy letterforms help. The oblique stance also makes it effective for headlines, signage, and short bursts of text that benefit from a sense of motion.

The overall tone feels sporty and technical—like equipment labeling, performance branding, or modern wayfinding. Its forward slant and squared-round forms convey motion and efficiency, while the softened corners keep it approachable rather than aggressive.

The design appears intended to blend a clean sans framework with superelliptical, rounded-rect geometry for a distinctly modern, engineered look. The oblique angle and controlled detailing suggest a focus on impact and clarity in branding and display contexts while maintaining consistent, utilitarian letter construction.

Uppercase forms are broad and stable, while lowercase shows pragmatic, slightly utilitarian shapes (notably in a, e, s, and t) that prioritize clarity. Numerals follow the same rounded-rect geometry, producing a cohesive, display-friendly figure set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸