Sans Superellipse Fibup 2 is a bold, wide, monoline, italic, tall x-height font visually similar to 'Black Square' by Agny Hasya Studio (names referenced only for comparison).
Keywords: headlines, sports branding, tech ui, posters, gaming, futuristic, sporty, technical, dynamic, sleek, speed cue, tech aesthetic, display impact, logo ready, geometric consistency, square-rounded, angular, oblique, extended, high-contrast counters.
A slanted, extended sans built from squarish, rounded-rectangle forms with consistently thick, monoline strokes. Corners are softened but remain decidedly geometric, with frequent chamfer-like terminals and flat, horizontal cuts that give letters a machined feel. Counters tend to be rectangular/superelliptical and fairly open, while curves are minimized in favor of straight segments and controlled rounding. The rhythm is wide and steady, with a high x-height and compact ascenders/descenders that keep lowercase tight and fast-looking. Numerals follow the same squared, streamlined construction, staying clear and sturdy at display sizes.
Best suited to headlines, logos, and short brand statements where its wide, slanted geometry can communicate speed and modernity. It can also work for tech-leaning UI titles, esports/gaming graphics, event posters, and product marks, especially when set with generous tracking and ample size for the squared counters to read cleanly.
The overall tone reads modern and speed-oriented, evoking motorsport, sci‑fi interfaces, and performance branding. Its oblique posture and squared geometry suggest motion, efficiency, and engineered precision rather than softness or tradition.
The design appears intended to deliver a contemporary, high-energy sans with a superelliptical construction that feels engineered and fast. By combining wide proportions with a consistent monoline weight and controlled rounding, it aims for a distinctive display voice that remains legible while projecting a performance-forward aesthetic.
Several letters emphasize forward-leaning diagonals and flattened curves, producing a distinctly aerodynamic texture in words. The design language stays consistent across uppercase, lowercase, and figures, with the rounded-rectangle counter shapes acting as a unifying motif.