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Free for Commercial Use

Stencil Sopa 2 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'OL Contact Classic' by Dennis Ortiz-Lopez, 'Colonel Serial' by SoftMaker, 'TS Colonel' by TypeShop Collection, and 'Neo Contact' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, packaging, headlines, signage, logotypes, industrial, military, western, vintage, assertive, impact, stencil realism, compact strength, graphic texture, marking style, slab serif, blocky, high impact, segmented, bridged.


Free for commercial use
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A condensed, heavy slab-serif stencil with squared proportions and strongly bracketless terminals. Strokes are broken by consistent stencil bridges that cut through stems, bowls, and cross-strokes, creating crisp internal gaps and a rugged, segmented texture. The overall construction is sturdy and geometric, with tight counters, short apertures, and a compact rhythm that stays readable at display sizes while becoming more graphic as size increases. Numerals and capitals carry the same solid, poster-ready mass, with bridge placement reinforcing a repeatable, engineered pattern across the set.

Best suited to display work where a bold, constructed stencil texture is an asset—posters, product labels, event graphics, headline systems, and signage. It can also work for logo wordmarks and badges that need a rugged, industrial voice and strong presence at a distance.

The face projects an industrial, utilitarian tone with hints of military marking and vintage sign painting. Its condensed heft and visible bridges add a tough, no-nonsense personality that feels functional, stamped, and authoritative rather than refined or delicate.

The design appears intended to deliver maximum impact in a compact width while clearly expressing a stencil-cut construction. Its consistent bridges and blocky slab structure suggest a purpose-built font for bold thematic graphics, marking, and identity applications where a tough, manufactured feel is desired.

Bridge cuts are prominent enough to become a key visual motif, producing a textured “cutout” look in continuous text. The condensed width and strong slab serifs amplify vertical momentum and make the type feel dense and emphatic in headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸