Sans Superellipse Akro 14 is a regular weight, normal width, low contrast, upright, tall x-height font visually similar to 'Digital Sans Now' by Elsner+Flake, 'Digital Serial' by SoftMaker, and 'Digital TS' by TypeShop Collection (names referenced only for comparison).
Keywords: ui, signage, branding, headlines, packaging, tech, futuristic, clean, precise, utility, modernization, systematic design, interface clarity, geometric branding, tech aesthetic, rounded, geometric, modular, superelliptic, square-rounded.
A rounded-rectilinear sans with a superellipse construction: corners are consistently radiused, curves feel squared-off rather than circular, and counters tend toward rounded rectangles. Strokes are monolinear and crisp, with a disciplined, modular rhythm that reads like a system of straight segments joined by soft corners. Proportions are compact and efficient, with a notably tall lowercase presence and open apertures that keep letterforms clear at display sizes. Numerals follow the same squared, softened logic, producing a cohesive alphanumeric set with strong visual consistency.
Well suited to UI and product surfaces where a technical, streamlined voice is needed, as well as signage and wayfinding that benefits from clear, blocky shapes. It also works effectively for logos, sports/tech branding, and punchy headlines where the superelliptic geometry becomes a recognizable motif.
The overall tone is contemporary and technical, evoking digital interfaces, industrial labeling, and sci‑fi display typography. Its rounded corners soften the engineering feel, adding approachability while staying firmly precise and machine-made.
The font appears designed to translate a superellipse/rounded-rectangle geometry into a readable sans, balancing strict modular construction with softened corners to maintain friendliness. The goal seems to be a contemporary display-to-interface voice that feels engineered, consistent, and immediately identifiable.
The design favors boxy round forms in letters like O/Q and squared bowls in B/P/R, creating a distinctive ‘rounded-square’ silhouette across words. Diagonals (A, K, V, W, Y) are clean and angular, contrasting with the softened corners for a confident, modern cadence.