Cursive Annay 1 is a regular weight, very narrow, medium contrast, italic, short x-height font.
Keywords: invitations, greeting cards, packaging, social media, quotes, casual, friendly, playful, personal, lively, handwritten feel, friendly branding, display script, personal tone, brushy, looping, bouncy, fluid, monoline-ish.
A lively cursive script with a rightward slant and a brush-pen feel. Strokes taper in and out with moderate contrast, producing soft terminals and occasional heavier downstrokes. Letterforms are compact and tall with frequent loops and long ascenders/descenders, while connections are intermittent—some pairs link smoothly and others break for clarity. The rhythm is quick and handwritten, with slightly variable stroke endings and natural-looking proportions across capitals, lowercase, and figures.
Well-suited to short, expressive text such as invitations, greeting cards, product labels, and lifestyle packaging where a handwritten voice is desirable. It also works effectively for social media graphics, pull quotes, and headers that need a personable, crafted look. For best results, use it at display sizes rather than dense body copy.
The font reads as warm and informal, like a neat personal note written with a felt-tip or brush pen. Its looping forms and energetic slant give it a playful, upbeat tone without feeling messy. Overall, it conveys approachability and a handcrafted charm suited to friendly messaging.
The design appears intended to emulate quick, confident brush handwriting with an emphasis on legibility and charm. It balances fluid cursive motion with readable letter separation, aiming for an approachable script that feels handmade but consistent enough for repeatable branding.
Capitals are expressive and often include prominent entry/exit strokes, creating distinctive word shapes in headlines. Numerals follow the same handwritten logic with simple, upright forms and gentle curves, keeping them cohesive with the letters. Spacing appears tuned for flowing word images, though the lively joins and narrow forms benefit from a bit of size and breathing room in longer lines.