Sans Normal Ihbut 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Mustica Pro' by Alifinart Studio, 'Trakya Rounded' by Bülent Yüksel, 'Duplet Rounded' by Indian Type Foundry, and 'Beround' and 'Beround Pro' by NicolassFonts (names referenced only for comparison).
Keywords: branding, packaging, posters, headlines, ui, friendly, playful, approachable, modern, soft, soften tone, increase friendliness, clear signage, modern simplicity, rounded, blunt terminals, smooth, geometric, high contrast-free.
A rounded sans with smooth, continuous curves and a consistent stroke weight. Terminals are blunt and heavily radiused, giving the outlines a soft, cushiony edge rather than sharp corners. Proportions are broadly geometric with open apertures and clean counters, and the cap forms read sturdy and compact without feeling condensed. Lowercase shapes keep a simple, single‑storey construction (notably for a and g), with gently curved joins and minimal modulation, producing an even, steady texture in paragraph settings.
This style works well for brand identities that want a friendly, non-threatening presence, as well as packaging and promotional headlines where softness and clarity are priorities. It can also suit UI labels and display text in products aimed at a broad audience, especially where a rounded, approachable tone supports the content.
The overall tone is warm and informal, with a cheerful, kid-friendly friendliness that still feels contemporary. The rounded construction and softened corners reduce severity and add a welcoming, conversational voice well suited to upbeat messaging and accessible interfaces.
The design appears intended to deliver a straightforward, highly legible sans while replacing sharp angles with generous rounding to create warmth. It prioritizes clear silhouettes and an even, monoline rhythm, aiming for an inviting contemporary look that stays readable in larger sizes and short blocks of text.
Numerals follow the same rounded logic, with clear, uncomplicated silhouettes and softened corners that match the letters. The rhythm in text is smooth and even, with generous rounding at joins (for example in n/m/u) that emphasizes a continuous, flowing feel rather than mechanical precision.