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Free for Commercial Use

Sans Superellipse Utdok 8 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Bullish' by Gerald Gallo (names referenced only for comparison).

Keywords: headlines, logos, posters, signage, ui titles, futuristic, tech, industrial, sporty, confident, impact, modernity, tech tone, brand presence, system geometry, squared, rounded, modular, compact, geometric.


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A geometric sans built from rounded-rectangle (superellipse) forms, with consistently softened corners and largely uniform stroke thickness. Counters are boxy and open, giving letters like O, D, and P a squared, capsule-like interior. Terminals tend to finish in flat cuts, and many joins feel engineered and modular, producing a steady, mechanical rhythm in both uppercase and lowercase. The figures match the alphabet’s blocky geometry, with simplified construction and clear, straight-sided curves that keep the texture dense and graphic.

Best suited to display typography where its blocky, rounded-square construction can be a defining visual feature—headlines, branding, packaging, posters, and wayfinding. It can also work for short UI headings or dashboard labels where a tech-forward, engineered feel is desired, while long-form text may feel heavy and visually dense.

The overall tone reads modern and utilitarian, with a sleek, machine-made character. Its rounded-square geometry evokes contemporary UI, sci‑fi interfaces, and performance branding rather than humanist warmth. The sturdiness and compact shapes project confidence and impact at a glance.

The design appears intended to deliver a contemporary, tech-oriented voice using superelliptic geometry and uniform stroke behavior, prioritizing strong silhouette recognition and a compact, high-impact typographic color. The consistent rounding and modular construction suggest a focus on usability in display contexts and a cohesive, system-like aesthetic.

Distinctive rounded-rect counters and squared bowls make the face feel highly systematized, while occasional angular diagonals (e.g., in K, V, W, X, Y) add energy and a slightly sporty edge. The sample text shows a strong, even color on the line, with tight-looking internal shapes that favor bold, graphic settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸