Font Hero

Free for Commercial Use

Distressed Wena 2 is a bold, narrow, medium contrast, upright, normal x-height font visually similar to 'EF DIN 1451' by Elsner+Flake, 'Framer Sans' by June 23, and 'Engschrift DIN 1421' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, album covers, packaging, labels, grunge, vintage, handmade, rugged, noisy, aged print, stamp effect, gritty display, handcrafted feel, textured, weathered, blotchy, organic, roughened.


Free for commercial use
Customize the font name

A condensed, heavy display face with visibly roughened outlines and uneven stroke edges that mimic worn ink or degraded printing. Letterforms are mostly blocky and upright, with simplified terminals and subtly irregular curves that create a mottled silhouette. Counters tend to be compact and sometimes slightly choked by the texture, while overall spacing and widths vary a bit from glyph to glyph, reinforcing a handmade, imperfect rhythm. Numerals and capitals share the same distressed surface, producing a consistently gritty color across lines of text.

Best suited to short-to-medium display settings where the rough texture can be appreciated, such as posters, headlines, album/cover art, labels, and heritage-style packaging. It also works well for thematic graphics that need an aged or gritty print feel, especially when paired with simple layouts and generous tracking.

The font conveys a rugged, analog attitude—evoking stamped packaging, old posters, and ink that has bled or abraded over time. Its texture reads as tactile and utilitarian rather than polished, giving compositions a raw, assertive tone.

The design appears intended to deliver a bold, condensed voice with an intentionally degraded print surface, simulating worn type, stamping, or rough presswork. Its irregularities look deliberate and systematized, aiming for consistent character while preserving a raw, tactile impression.

The distressed edge treatment is strong enough that fine details soften at smaller sizes, and the darkest areas can visually fill in where counters are tight. In longer text lines it produces a dense, speckled texture that becomes part of the voice of the setting rather than a neutral reading texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸