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Serif Flared Mymoy 7 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'Albra' by BumbumType (names referenced only for comparison).

Keywords: headlines, magazine, posters, branding, packaging, elegant, editorial, dramatic, fashion, classic, luxury feel, editorial impact, display focus, high contrast, didone-like, hairline serifs, sharp terminals, bracketed joins, high waistlines.


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A high-contrast serif with broad, weighty verticals and very thin connecting strokes, creating a crisp black-and-white rhythm. Serifs are fine and sharp, with subtle flaring and occasional wedge-like terminals that give stroke endings a tapered, sculpted feel rather than blunt cuts. Counters are generous and smoothly rounded, while joins show soft bracketing that helps the heavy stems transition into hairlines. The lowercase presents a compact, sturdy texture with a two-storey a, compact e, and a pointed, calligraphic ear on g; numerals follow the same dramatic contrast with prominent thick strokes and delicate hairlines.

Best suited to display typography such as headlines, deck lines, cover treatments, and brand marks where its contrast and sharp finishing can be appreciated. It also works well for fashion, beauty, and luxury packaging, and for editorial pull quotes or section openers where a strong typographic voice is desired.

The overall tone is polished and assertive, combining luxury editorial sophistication with a slightly theatrical, poster-ready punch. Its extreme contrast and refined terminals feel formal and fashion-forward, lending a sense of prestige and ceremony.

The likely intent is to deliver a modernized, high-contrast serif with flared, razor-thin finishing that reads as premium and authoritative. It aims to create strong visual hierarchy and a distinctive editorial texture through dramatic stroke modulation and crisp terminals.

The design emphasizes verticality and crisp edge definition, so spacing and rhythm read best when given room—especially in mixed-case settings where the heavy capitals can dominate. Curved letters (C, G, O, Q) show pronounced thick-to-thin modulation that becomes a defining texture in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸