Sans Faceted Lyma 5 is a bold, normal width, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, game ui, posters, headlines, signage, tech, industrial, retro, digital, utilitarian, technical voice, mechanical feel, retro computing, display impact, systematic construction, octagonal, angular, chamfered, geometric, blocky.
This typeface is built from straight strokes and clipped corners, replacing curves with short planar facets that create an octagonal, engineered silhouette. Strokes maintain a consistent thickness throughout, with squared terminals and a crisp, pixel-adjacent rhythm that stays clean at display sizes. Counters are compact and mostly rectangular, and rounded forms like O, Q, and 8 resolve into faceted outlines with tight interior spaces. The overall construction feels modular and grid-conscious, producing an even texture and strong letter-to-letter consistency.
It works best where a hard-edged, technical voice is desirable: interface labels, dashboards, game UI, product markings, and bold headlines. The consistent stroke and geometric construction also make it a strong choice for logos or wordmarks in industrial or sci‑fi branding contexts, and for short display copy where its faceted forms can be appreciated.
The tone is technical and purposeful, evoking instrumentation, hardware labeling, and sci‑fi interface typography. Its sharp geometry and compact counters read as tough and machine-made rather than friendly or editorial. The faceting adds a retro-digital flavor that feels suited to arcade, terminal, or industrial design cues.
The design appears intended to translate a mechanical, faceted construction into a compact, highly consistent alphabet that remains clear and forceful in digital and environmental applications. By substituting curves with chamfers and keeping strokes uniform, it aims for a rugged, tool-like presence with a retro-tech edge.
Distinctive identifying shapes include the faceted O/0, an angular S with stepped horizontals, and a Q formed with an internal vertical element. Numerals follow the same chamfered logic, with the 1 and 4 built from rigid, sign-like strokes and the 2 and 3 rendered as angular, segmented forms. The sample text shows a sturdy, uniform texture with relatively tight internal white space, favoring impact over airy readability.