Sans Normal Ebriy 16 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Aukim' by AukimVisuel (names referenced only for comparison).
Keywords: ui text, product branding, editorial, signage, presentations, clean, contemporary, technical, approachable, streamlined, modernization, clarity, motion, neutrality, versatility, oblique, humanist, open apertures, rounded terminals, single-storey a.
This is an oblique sans with smooth, rounded curves and uniform stroke weight. Forms are built from clean ellipses and straight strokes with gently softened joins, producing a steady, modern rhythm. Counters are generally open and generously spaced, with relatively simple constructions (notably a single-storey “a” and a single-storey “g”), and the numerals follow the same streamlined, geometric logic. Overall proportions feel balanced and readable, with slightly squared-off geometry kept friendly by round terminals and consistent curvature.
This font suits interface labels, dashboards, and product UI where a clean oblique voice helps emphasize motion or focus without sacrificing clarity. It also works well for contemporary branding, short editorial passages, and headings that benefit from a modern, streamlined presence. The consistent shapes and open counters make it practical for signage and presentation typography at medium sizes.
The tone is modern and efficient, leaning toward a clean, designed feel rather than expressive or decorative. Its oblique stance adds momentum and a mild sporty energy while staying restrained and professional. The overall impression is contemporary, clear, and quietly confident.
The design appears intended to deliver a modern sans italic with a smooth geometric skeleton and a friendly, accessible finish. It aims for clarity and coherence across the character set while using the oblique angle to add emphasis and forward energy in both display and text settings.
The glyph set shown maintains consistent slant and curvature across caps, lowercase, and figures, giving text a cohesive forward-leaning flow. Round letters like O/C/G read smoothly, while diagonals (V/W/X/Y) stay crisp and uncluttered, supporting a neat, contemporary texture in continuous text.