Cursive Tunu 11 is a regular weight, very narrow, medium contrast, italic, very short x-height font.
Keywords: invitations, greeting cards, brand signatures, logotypes, packaging accents, elegant, romantic, playful, personal, vintage, handwritten feel, signature look, expressive caps, elegant display, personal tone, looping, fluid, swashy, slanted, bouncy.
A slanted, pen-written script with fluid joining strokes, looping ascenders/descenders, and a lively baseline that gives words a gently bouncing rhythm. Strokes show subtle calligraphic modulation with tapered terminals and occasional heavier downstrokes, creating a clean, ink-like texture without looking overly formal. Capitals are more expressive and sometimes oversized, featuring long entry/exit strokes and soft loops that add flourish, while lowercase forms stay compact and quick, with tall, narrow counters and simple connections. Numerals follow the same handwritten logic, with light curvature and consistent slant that keeps them cohesive in text.
Best suited to short-to-medium display settings where its loops and swashy capitals can be appreciated—such as invitations, greeting cards, boutique branding, and packaging callouts. It can also work as a signature-style accent paired with a restrained sans or serif for contrast, especially in headlines, quotes, and personal stationery.
The font conveys a personable, romantic tone—like neat, stylish handwriting used for notes, invitations, and signatures. Its swashy capitals and flowing connections suggest a slightly vintage charm, while the brisk, narrow rhythm keeps it energetic and friendly rather than ceremonial.
The design appears intended to mimic confident, stylish cursive handwriting with a balance of readability and flourish. It emphasizes elegant word shapes and expressive capitals to provide a signature-like personality for branding and display use.
Letterforms maintain consistent slant and connective behavior across the alphabet, producing smooth word shapes in longer phrases. Flourishes are concentrated in capitals and select joins, so short headings can feel expressive while continuous text remains relatively streamlined.