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Free for Commercial Use

Serif Flared Pyju 4 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Pelago' by Adobe, 'Proza' by Bureau Roffa, 'FF Advert' by FontFont, 'Ideal Sans' by Hoefler & Co., 'Mestiza Sans' by Lechuga Type, and 'Joanna Sans Nova' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, editorial display, playful, retro, folksy, friendly, quirky, display impact, vintage flavor, handcrafted warmth, approachability, flared terminals, soft serifs, rounded bowls, lively rhythm, informal.


Free for commercial use
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A bold, flared serif with softly tapered stroke endings and gently swelling stems that give the letterforms a carved, hand-shaped feel. The shapes lean on broad, rounded bowls and slightly irregular curves, creating an active rhythm across lines without losing overall consistency. Counters are generous and openings stay clear at display sizes, while the serifs read as subtle flares rather than sharp brackets. Lowercase forms are sturdy and compact with prominent, rounded joins; numerals follow the same weight and flare logic for a cohesive texture.

Best suited for display typography such as headlines, posters, packaging, and brand marks where a warm, retro voice is desirable. It can also work for short editorial callouts or pull quotes, especially when you want a lively, handcrafted texture rather than a neutral reading face.

The font projects an upbeat, approachable tone with a distinctly vintage, sign-painting energy. Its soft flares and bouncy silhouettes feel human and convivial, adding character and motion to headlines without becoming overly decorative.

The design appears intended to blend classic serif structure with flared, hand-informed terminals to create a bold display face that feels nostalgic and personable. It prioritizes recognizable letterforms and strong silhouette impact while introducing enough irregularity to feel lively and distinctive.

The stroke modulation is expressed more through widening at terminals than through high contrast, which keeps the color solid and punchy. Curved letters (like C, G, O, S) emphasize roundness and softness, while diagonals (V, W, X, Y) retain a chunky, poster-like presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸