Script Libur 3 is a regular weight, narrow, medium contrast, italic, very short x-height font.
Keywords: wedding invites, branding, packaging, certificates, headlines, elegant, formal, romantic, vintage, refined, formal penmanship, decorative capitals, classic elegance, ceremonial tone, looped, flourished, calligraphic, slanted, swashy.
A flowing, calligraphic script with a consistent rightward slant and smooth, continuous stroke rhythm. Letterforms are compact and vertically oriented, with long ascenders/descenders relative to the small lowercase body, and frequent entry/exit strokes that encourage chaining. Strokes show gentle modulation with rounded terminals and carefully shaped joins; capitals are notably more ornate, featuring generous loops and inward curls that create a decorative silhouette. Numerals follow the same cursive logic with angled stress and soft curves, keeping the set visually cohesive.
Best suited to short-to-medium display settings where its loops and swashes can read clearly—such as wedding stationery, boutique branding, product packaging, certificates, and editorial headlines. It can also work for pull quotes or name treatments, especially when you want an elegant, traditional script voice.
The overall tone is classic and ceremonious, leaning toward romantic, invitation-style elegance rather than casual handwriting. Swashy capitals and looping forms add a vintage charm and a sense of personal refinement, making the font feel suitable for special-occasion messaging.
Designed to emulate formal penmanship with a polished, ornamental character: smooth connections, controlled stroke modulation, and decorative capitals that provide instant sophistication. The compact lowercase and rhythmic cursive flow suggest an emphasis on graceful word shapes and stylish initial letters.
Uppercase letters carry much more visual weight and flourish than the lowercase, so mixed-case settings naturally produce strong typographic hierarchy. The tight internal spacing and compact counters keep words cohesive, while the more elaborate capitals can become focal points at the start of lines or names.