Sans Superellipse Gameh 2 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Dean Gothic' by Blaze Type, 'ITC Franklin' by ITC, 'Neue Helvetica' by Linotype, 'Helvetica Now' by Monotype, 'Otoiwo Grotesk' by Pepper Type, 'Brown Pro' by Shinntype, and 'Breuer Headline' by TypeTrust (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, display ads, sporty, assertive, energetic, industrial, headline, impact, motion, modernity, brand punch, compact emphasis, slanted, compact, rounded corners, blocky, sturdy.
A heavy, slanted sans with compact proportions and rounded-rectangle shaping throughout. Curves read as superelliptical rather than purely circular, giving counters a squared-off softness and keeping bowls and terminals visually taut. Strokes are broadly even with only modest modulation, and joins are clean and firm, producing a dense, high-impact texture. The lowercase maintains a straightforward, utilitarian construction with sturdy shoulders and bowls, while numerals and capitals carry the same blocky, softened geometry for consistent color in lines of text.
Best suited to headlines and short display settings where density and slant can add momentum—sports and fitness branding, impactful posters, product packaging, and promotional graphics. It can work for brief callouts or subheads in editorial layouts, especially when strong emphasis and compact line lengths are desired.
The overall tone is forceful and fast, with a forward-leaning stance that suggests motion and urgency. Its softened corners keep the voice approachable, but the mass and tight rhythm still feel tough, competitive, and attention-grabbing.
Likely designed to deliver maximum impact with a modern, rounded-rect geometry that stays cohesive across caps, lowercase, and numerals. The combination of heavy weight and pronounced slant aims to communicate speed and confidence while keeping forms clean and contemporary.
Round letters like O, C, and G feel more like rounded boxes than true circles, which helps the font hold shape at large sizes and maintain a strong silhouette. The italic angle is prominent enough to read as intentional styling rather than simple obliquing, and the bold weight compresses internal spaces, favoring punch over delicacy.