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Free for Commercial Use

Sans Superellipse Udnay 4 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Neumatic Gothic' and 'Neumatic Gothic Round' by Arkitype, 'Aptly' by Shinntype, 'Goudar HL' by Stawix, and 'Polate' and 'Polate Soft' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, sporty, retro, punchy, energetic, friendly, impact, motion, bold clarity, space saving, approachability, rounded, condensed, oblique, chunky, soft corners.


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A heavy, condensed oblique sans with rounded-rectangle construction and softly squared curves. Strokes are thick and even, with minimal modulation, and terminals are consistently rounded, giving the forms a molded, monoline feel. Counters tend to be compact and squarish, and the overall rhythm is tight with sturdy verticals and simplified joins that keep letters bold and legible at display sizes. The numerals and uppercase share the same compact proportions and smooth cornering, reinforcing a cohesive, blocky silhouette.

Best suited to display typography such as headlines, posters, event graphics, and bold brand marks where impact and speed are desired. It also works well for sports-themed identities, product packaging, and attention-grabbing signage, especially when set with generous tracking to counter its compact forms.

The font reads as upbeat and assertive, with a sporty, retro-leaning tone. Its rounded corners soften the mass of the letterforms, balancing toughness with approachability. The consistent slant adds motion and momentum, making text feel fast and energetic.

Likely intended as a high-impact display sans that combines a condensed footprint with rounded, superelliptical geometry. The goal appears to be maximum punch and immediacy while keeping the tone friendly and modern through softened corners and steady stroke weight.

The design emphasizes strong silhouettes and compact interior space, which helps it hold together in short headlines but can make long passages feel dense. The oblique angle is uniform and pronounced enough to be a defining stylistic cue rather than a subtle emphasis.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸