Sans Normal Omdup 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Dikta Neue' by Atasi Studio, 'AG Royal' by Berthold, 'Moniak Sans' by Design Komando, 'Siro' by Dharma Type, 'Innova' by Durotype, 'Jasan' by Storm Type Foundry, and 'Nuno' by Type.p (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui labels, friendly, modern, confident, clean, approachable, display impact, brand clarity, friendly utility, modern simplicity, rounded, soft, sturdy, geometric, compact.
A heavy, rounded sans with smooth curves and largely monoline strokes. Counters are open and clearly cut, with compact proportions and a steady, even rhythm across lines. Terminals tend to be softly finished rather than sharply cut, and round letters (O/C/G/Q) read as clean, geometric bowls. The lowercase shows a single-story “a” and “g,” a tall, straight “l,” and a short-armed “r,” contributing to a simplified, contemporary texture; numerals are similarly sturdy and highly legible with generous interior space in forms like 6, 8, and 9.
This font performs well in headlines, brand marks, packaging, and poster typography where a bold, friendly sans is needed. It also fits UI labels, buttons, and navigation—places where sturdy shapes and clear counters support quick recognition.
The overall tone is friendly and contemporary, projecting a confident, no-nonsense presence without feeling harsh. Rounded corners and ample curves soften the voice, giving it an approachable, upbeat character suited to consumer-facing design.
The design appears intended as a versatile, contemporary workhorse for display and interface contexts, prioritizing clarity, compactness, and a welcoming rounded geometry. Its simplified lowercase and consistent stroke behavior suggest an emphasis on dependable legibility with a modern, approachable tone.
In text, the weight produces strong color and emphasis, making it better suited to short-to-medium passages than long reading at small sizes. The design’s broad curves and simplified joins keep shapes clear under tight spacing, while the compact set-width helps headlines feel dense and punchy.