Sans Superellipse Pibod 10 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Laika Sky' by Ghozai Studio (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, labels ui, industrial, utilitarian, techy, compact, authoritative, impact, space saving, systematic, clarity, condensed, rounded corners, squared forms, flat terminals, tight spacing.
This typeface is a condensed, heavy sans built from squared, superellipse-like outlines with consistently rounded corners. Strokes are largely uniform in thickness, with flat terminals and minimal modulation, producing a sturdy, sign-like silhouette. Curves resolve into squarish bowls and counters, and many joins are crisp and orthogonal, giving letters a constructed, mechanical feel. The lowercase is compact with sturdy stems and short extenders, while the numerals follow the same blocky, rounded-rectangle logic for a cohesive texture across mixed text.
It performs best where high-impact, compact typography is needed—headlines, posters, signage, and packaging. The dense, squared geometry also suits labels, dashboards, and interface elements that benefit from a strong, technical presence, especially at medium-to-large sizes where counters remain clear.
The overall tone is functional and engineered, with a slightly retro-industrial edge. Its compact mass and squared rounding read as technical and no-nonsense, conveying strength and clarity rather than softness or elegance. The look suggests modern utility—good for systems, labels, and bold informational typography.
The design intent appears to be a space-efficient display sans that stays bold and legible while maintaining a distinctive rounded-rectilinear construction. It prioritizes a uniform, engineered rhythm and a robust texture for attention-grabbing text and clear industrial-style messaging.
Round characters (like O and 0) appear closer to rounded rectangles than true circles, and the internal counters stay fairly tight, which increases density. The punctuation and small details (such as the dot on i/j) are simple and geometric, reinforcing the consistent, modular rhythm.