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Free for Commercial Use

Inline Lyma 5 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Doris' by Fontsphere, and 'Trailhead' by Komet & Flicker (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, merchandise, playful, retro, handmade, quirky, friendly, impact, decoration, nostalgia, fun, rounded, blobby, soft corners, cartoonish, chunky.


Free for commercial use
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A chunky, rounded display face built from heavy, softly contoured strokes with subtly irregular, hand-drawn edges. Each glyph is predominantly solid, with a thin inline highlight that runs through the forms and creates small cut-ins and pockets, giving the letters a dimensional, carved look. Counters are tight and often rounded-square, terminals are blunt, and curves swell slightly, producing an organic rhythm. The overall silhouette reads dense and bold, while the inline detail adds texture and separation within the black mass.

Best suited to large sizes where the inline carving and chunky silhouettes can be appreciated—posters, bold headlines, playful branding, packaging, and merch graphics. It also works well for short bursts of text such as labels, titles, and social graphics, where a friendly, high-impact display voice is needed.

The tone is upbeat and humorous, with a nostalgic, comic sensibility. The inline treatment and bouncy letterforms suggest signage and playful packaging rather than formal editorial typography, projecting a casual, approachable personality.

The design appears intended to deliver maximum presence with a softened, approachable shape language, while the carved inline detail adds visual interest and a lightly dimensional, decorative finish. It prioritizes character and impact over neutrality, aiming for eye-catching display use.

The inline detail varies a bit from glyph to glyph, reinforcing a handcrafted feel. Wide rounded shapes (O, Q, 0, 8) and blocky stems (E, F, T, I) maintain consistency, and the numerals follow the same inflated, sign-painter-like construction for a cohesive set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸