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Free for Commercial Use

Distressed Raker 1 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Newhouse DT' by DTP Types, 'Gautami' by Microsoft Corporation, and 'Nimbus Sans L' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, packaging, headlines, logos, signage, rustic, handmade, playful, gritty, casual, add texture, evoke print, signal handmade, create warmth, boost impact, blocky, chalky, stamped, textured, organic.


Free for commercial use
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A heavy, all-caps-friendly sans with rounded, slightly boxy proportions and strongly simplified construction. Strokes are thick and uneven, with roughened outlines and scattered interior pinholes that mimic worn ink, dry brush, or porous printing. Curves are generously rounded, corners are softly blunted, and joins show subtle wobble that keeps the rhythm lively without collapsing legibility. Letter widths vary noticeably, contributing to a hand-set, irregular texture across words and lines.

Works best for short-to-medium display text where the rough texture can be appreciated: posters, event flyers, product packaging, café or craft branding, and bold signage. It can also add character to pull quotes and social graphics, especially when paired with a cleaner companion face for body copy.

The overall tone is approachable and informal, with a gritty, handcrafted feel that suggests authenticity and a bit of rough-and-ready charm. The distressed texture adds a vintage, analog edge—more workshop and street-poster than corporate—while the rounded forms keep it friendly rather than harsh.

The design appears intended to deliver a sturdy, readable display voice with an intentionally weathered finish, evoking analog printing and hand-made signage. By combining broad, rounded letterforms with controlled distressing, it aims to feel both friendly and tactile while still holding up at headline sizes.

The texture is consistent across uppercase, lowercase, and numerals, so the distressed effect reads as a deliberate surface treatment rather than random noise. Numerals are large and bold with the same softened geometry, making them suitable for attention-grabbing settings where a worn print character is desirable.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸