Serif Other Haba 1 is a regular weight, narrow, high contrast, upright, normal x-height font.
Keywords: book covers, editorial, pull quotes, headlines, branding, bookish, classic, whimsical, literary, old-style, classic revival, add character, editorial voice, crafted feel, bracketed, calligraphic, flared, crisp, lively.
This is a serif typeface with crisp, bracketed serifs and a distinctly calligraphic modulation: verticals read darker while joins and curves thin noticeably. The letterforms are compact and slightly condensed, with lively curvature and occasional flared stroke endings that give the shapes a gently animated rhythm. Counters are relatively tight and the joins in letters like m, n, and h show smooth, pen-like transitions, while capitals maintain a refined, traditional structure with subtly expressive terminals. Numerals follow the same high-contrast logic, mixing straight stems with rounded bowls and small, sharp finishing strokes.
It suits editorial typography where a classic serif voice is desired with a touch of character—book covers, magazine features, and pull quotes in particular. The lively contrast and narrow proportions can also work well for display headlines and distinctive branding wordmarks where a traditional-but-unusual serif tone is appropriate.
The overall tone feels literary and traditional, like a page from a classic book, but with a light eccentricity that keeps it from feeling austere. Its contrast and slightly quirky details lend a hint of wit and personality, making it feel human and crafted rather than strictly mechanical.
The design appears intended to echo old-style book typography while introducing more expressive, calligraphic stroke behavior and slightly idiosyncratic details. It aims to balance readability with personality, providing a familiar serif foundation that still feels curated and distinctive in display and short text.
In text settings the face creates a textured, rhythmic color with pronounced thick–thin patterning, especially in rounded letters and diagonals. The italic is not shown; the style presented reads as a roman with subtly organic, pen-influenced detailing.