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Free for Commercial Use

Outline Nyka 5 is a very light, wide, low contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, editorial, art deco, modernist, architectural, elegant, futuristic, decoration, branding, elegance, stylization, modernism, monoline, geometric, inline, rounded, display.


Free for commercial use
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A geometric outline face built from thin monoline contours with an internal inline/partition detail that often divides bowls and stems. Round characters lean toward near-circular forms (O, Q, 0), while straight-sided letters use clean verticals and crisp diagonals, producing a measured, constructed rhythm. Corners are mostly squared with occasional soft rounding in curves, and counters remain open and airy due to the outlined drawing. Proportions feel generous and display-oriented, with simplified terminals and a consistent, engineered stroke logic across caps, lowercase, and numerals.

Best suited to display settings such as posters, magazine headlines, brand marks, and packaging where its outline construction can be appreciated at larger sizes. It can also work for short editorial pull quotes or titling in fashion, hospitality, and arts contexts, especially when paired with a simpler text face for body copy.

The font conveys a sleek, curated sophistication with clear Art Deco and modernist cues. Its airy outlines and precise geometry create a refined, boutique feel—stylish and slightly futuristic rather than casual or rustic. The overall tone is decorative and design-forward, suggesting glamour, architecture, and curated cultural spaces.

The design appears intended as a decorative, architecture-inspired outline typeface that combines geometric construction with an inline detail to create a distinctive, premium look. It prioritizes visual identity and atmosphere over dense text readability, aiming to deliver a crisp, modern elegance in titles and branding.

The internal linework gives many glyphs a distinctive split-stem or bisected-bowl motif, adding structure without adding weight. Because the design is purely outlined, the color on the page stays light; it reads best when given room and when not competing with busy backgrounds.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸