Cursive Wigo 4 is a regular weight, narrow, medium contrast, italic, short x-height font.
Keywords: branding, packaging, posters, invitations, social media, casual, friendly, personal, lively, vintage, handwritten feel, expressive tone, signature style, casual display, brush texture, brushy, looping, slanted, textured, bouncy.
A lively script with a rightward slant and brush-pen stroke character. Strokes show moderate contrast and visible texture, with slightly rough edges that mimic quick ink on paper. Letterforms are compact and narrow with a bouncy baseline rhythm, mixing open loops with occasional sharper joins; connections are frequent but not perfectly continuous, preserving a natural hand-drawn irregularity. Uppercase forms are taller and more flourished, while lowercase stays relatively small, creating a pronounced ascender/descender presence.
Best suited for short to medium text where personality is desired—logos, product packaging, café menus, invitations, quotes, and promotional headlines. It can also work for captions and pull quotes when given generous line spacing. For extended body copy, larger sizes help maintain legibility due to the textured strokes and compact forms.
The overall tone feels informal and personable, like a fast handwritten note or signature. Its slight roughness and varied movement add warmth and spontaneity, leaning more playful than formal. The script reads as expressive and human, suggesting approachability and a relaxed mood.
The design appears intended to capture an energetic brush-script handwriting style with natural variation and a slightly imperfect ink texture. It prioritizes expressiveness and a handwritten authenticity over strict uniformity, aiming for a friendly, modern-retro script voice that stands out in display settings.
Spacing and widths vary noticeably from letter to letter, reinforcing the organic, written feel. Numerals are simple and slanted to match the script, with consistent stroke behavior across letters and figures. The font maintains clarity at display sizes, while the textured stroke and tight proportions can look busier in long passages.