Sans Normal Hubaz 15 is a light, normal width, low contrast, upright, normal x-height font visually similar to 'Core Sans C' and 'Core Sans CR' by S-Core and 'Caros' and 'Caros Soft' by cretype (names referenced only for comparison).
Keywords: ui text, branding, editorial, signage, packaging, clean, friendly, modern, minimal, approachable, versatility, clarity, approachability, modern neutrality, text comfort, rounded terminals, monoline, soft geometry, open counters, airy spacing.
A monoline sans with softly rounded terminals and a predominantly geometric construction. Curves are smooth and circular (notably in C, G, O, and Q), while straight strokes remain even and clean, producing a calm, consistent rhythm. Proportions feel balanced with generous apertures and open counters; the lowercase shows a single-storey a and g, a compact t with a short crossbar, and a round, clear i/j dot. Numerals follow the same soft, rounded logic, with simple, readable forms and minimal ornamentation.
Well-suited for interface copy, dashboards, and product experiences where a clean, friendly voice is desired. The open shapes and simple lowercase make it a solid choice for editorial layouts, marketing pages, and packaging that benefits from a modern, gentle tone. It should also perform well in signage and wayfinding contexts where clarity and neutral presence are important.
The overall tone is contemporary and approachable, trading sharpness for softness through rounded ends and smooth geometry. It reads as quiet and friendly rather than technical, making it feel inviting and unobtrusive in continuous text.
The design appears intended to provide a versatile, modern sans with softened geometry for comfortable reading and broad applicability. Its restrained details and rounded terminals suggest an aim for clarity and approachability without drawing attention away from content.
Uppercase letters maintain a straightforward, neutral structure with subtle rounding that reduces visual severity. Diagonals (V, W, X, Y) stay crisp but softened at the terminals, and the Q uses a small, clean tail that preserves the circular silhouette. Spacing in the sample text appears even, supporting a tidy, uncluttered typographic color.