Sans Normal Ohbam 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Sans Atwic Modern' by Caron twice, 'Malva' by Harbor Type, 'Equip' by Hoftype, 'Fact' by ParaType, 'Core Sans A' and 'Core Sans AR' by S-Core, 'Mundial Narrow' by TipoType, and 'Artico' by cretype (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, modern, confident, clean, friendly, straightforward, clarity, impact, modernity, versatility, geometric, rounded, heavy, compact, open apertures.
This typeface is a sturdy, geometric sans with heavy, even strokes and clean, unmodulated curves. Letterforms lean on circular and elliptical construction (notably in C, O, Q, and 0) paired with straight-sided verticals, producing a crisp, contemporary rhythm. Terminals are predominantly flat and square, counters are generous for the weight, and apertures stay relatively open, helping shapes remain clear at larger sizes. The lowercase is simple and utilitarian, with a single-storey a and g, a short-shouldered r, and a straightforward t with a broad crossbar; numerals are robust and highly legible with a rounded 0 and compact, blocky figures overall.
It performs best where impact and quick recognition matter, such as headlines, posters, brand marks, packaging, and short UI labels. The heavy strokes and open counters also suit environmental graphics and signage, especially in high-contrast applications.
The overall tone is modern and direct, with a friendly edge coming from the rounded geometry and open counters. Its weight and compact construction give it an assertive, headline-ready presence without feeling overly technical or decorative.
The font appears designed to deliver a contemporary, no-nonsense sans voice built from clear geometric forms, prioritizing legibility and visual punch for display-led typography.
The design reads as highly consistent across caps, lowercase, and figures, with minimal stylistic quirks and a strong emphasis on clarity. The Q’s diagonal tail and the broad, stable horizontals in E/F/T add a practical, signage-like solidity to the set.