Sans Rounded Mino 8 is a very light, very wide, low contrast, italic, normal x-height font.
Keywords: headlines, logotypes, posters, packaging, ui display, futuristic, technical, sleek, sci‑fi, aerodynamic, tech styling, futurism, speed, geometric consistency, display impact, monoline, octagonal, faceted, angular, rounded corners.
A monoline, forward-leaning sans built from straight segments with softly rounded joins, producing an octagonal, faceted construction. The letterforms are notably extended with generous horizontal proportions and a steady, even stroke, giving a clean linear rhythm. Counters in rounds like O, Q, and 0 are squarish-rounded, and many terminals resolve as clipped angles rather than flat cuts, maintaining a consistent engineered geometry. Numerals follow the same segmented logic, with open, simplified shapes that prioritize outline clarity over typographic traditionalism.
Best suited for headlines and short display settings where its geometric, techno styling can read as intentional and distinctive. It works well for branding and logotypes in modern or futuristic contexts, as well as posters, packaging, and interface-style titling where a light, fast aesthetic is desired.
The overall tone feels futuristic and technical, like display lettering drawn from industrial labeling, vehicle graphics, or science-fiction interfaces. Its light, airy structure and angled forms convey speed and precision while staying approachable through rounded corners and smooth continuity.
The font appears designed to deliver a sleek techno voice using a consistent faceted geometry—combining angled strokes with softened corners to suggest speed, modernity, and engineered precision without becoming harsh.
Diagonal strokes are emphasized throughout, reinforcing the italic motion and giving capitals such as A, N, V, W, X, and Y a sharp, kinetic presence. The design language stays highly consistent between uppercase, lowercase, and figures, with a distinctive polygonal treatment for rounded characters and a streamlined, minimal approach to interior details.