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Sans Superellipse Byris 10 is a regular weight, very narrow, low contrast, upright, tall x-height font visually similar to 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, magazines, branding, packaging, modernist, editorial, minimal, condensed, architectural, space saving, modern clarity, display impact, systematic geometry, clean neutrality, monolinear, streamlined, tall, crisp, airy.


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A tall, condensed sans with monolinear strokes and gently rounded corners that soften its otherwise rectilinear construction. Curves read as narrow superelliptical bowls, producing compact counters and a strong vertical rhythm. Terminals are clean and blunt, with little to no stroke modulation, giving the letters a consistent, engineered feel. Numerals and lowercase share the same narrow proportions, with open apertures kept tight and orderly for a sleek, space-saving texture.

Works best for display settings where a narrow, vertical texture is desirable: headlines, subheads, posters, and magazine titling. It also suits branding systems that need a clean, contemporary voice in limited horizontal space, such as packaging, labels, and interface headers. For longer text, it’s most effective when used sparingly as an accent style (pull quotes, captions, or navigational elements) to avoid an overly uniform vertical rhythm.

The overall tone is modern and restrained, with an architectural neatness that feels contemporary and design-forward. Its compressed vertical emphasis reads confident and slightly dramatic, more headline-oriented than conversational. The rounded-rectangle geometry adds a friendly polish without becoming playful.

The design appears intended to deliver a compact, contemporary sans that maximizes vertical presence while keeping forms clean and consistent. Its rounded-rectangle construction suggests a goal of combining modernist simplicity with a slightly softened, product-design sensibility. Overall, it seems built to provide efficient width economy with a distinctive, streamlined silhouette.

The condensed set width creates a dense, high-impact line while maintaining a light visual footprint due to the even stroke. Round letters like O/C/G stay narrow and upright, reinforcing a disciplined, almost modular system across the alphabet. In longer lines, the repeated verticals create a strong cadence that can become a defining stylistic texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸