Sans Faceted Nina 12 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Mechanized JNL' by Jeff Levine (names referenced only for comparison).
Keywords: sports branding, posters, headlines, logos, packaging, sporty, industrial, retro, assertive, sturdy, impact, athletic feel, machined look, display clarity, branding, octagonal, chamfered, blocky, geometric, compact.
A heavy, block-built sans with octagonal geometry and consistent chamfered corners that replace most curves with planar facets. Strokes are largely uniform, with squared terminals, deep notches, and angular counters that create a tight, compact rhythm. Uppercase forms feel monolithic and sign-like, while the lowercase keeps the same faceted construction with simplified bowls and strong verticals; joins and diagonals are cut with crisp, straight edges. Numerals follow the same cut-corner logic, producing bold, high-impact figures with clear silhouettes.
Best suited to display roles where its dense weight and faceted construction can read as a deliberate stylistic choice—team identities, event posters, bold headlines, product packaging, and logo wordmarks. It also works well for short labels and numbers where strong silhouettes and impact matter more than fine detail.
The overall tone is tough and energetic, evoking athletic lettering, industrial labeling, and bold display typography. Its sharp facets and dense color give it a confident, no-nonsense voice with a slight retro scoreboard/jersey flavor.
The design appears intended to translate the feel of cut-corner athletic and industrial lettering into a consistent, geometric display font. By standardizing chamfers and keeping stroke widths steady, it prioritizes punchy legibility and a distinctive, engineered texture across letters and numerals.
The consistent corner chamfers unify the alphabet and create a distinctive “machined” texture in text. At smaller sizes the tight apertures and angular counters can visually fill in, while at display sizes the faceting becomes a defining graphic feature.