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Free for Commercial Use

Wacky Bota 8 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Criminal Trial JNL' by Jeff Levine, 'PODIUM Sharp' by Machalski, 'MC Laozheng' by Maulana Creative, 'Contraption' by Pink Broccoli, 'Queency' by Vampstudio, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, event flyers, album art, rowdy, hand-hewn, playful, retro, boisterous, attention grabbing, quirky display, poster impact, retro flavor, angular, faceted, wedge terminals, irregular rhythm, high impact.


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A heavy, condensed display face built from angular, faceted strokes with clipped corners and wedge-like terminals. Letterforms keep mostly straight-sided geometry, with occasional kinks and slight tilt variations that create an intentionally uneven rhythm across a word. Counters are compact and often squarish, and joins feel chiseled rather than smoothly constructed, producing a bold, cut-paper silhouette at both upper- and lowercase sizes.

Best suited for short, high-impact copy such as posters, headlines, cover art, playful branding, and packaging where texture and personality matter. It can also work for labels or merchandising graphics, especially when set large and given generous spacing to let the angular details read clearly.

The overall tone is rambunctious and offbeat—like a deliberately rough, hand-cut headline style meant to feel lively rather than refined. Its irregularities read as humorous and energetic, giving text a quirky, attention-grabbing presence with a retro, poster-like attitude.

The design appears intended to deliver maximum visual punch with a deliberately irregular, chiseled construction—prioritizing character and motion over typographic neutrality. Its condensed stance and bold massing suggest it was made to command attention quickly in display applications.

Uppercase forms lean toward blocky, slab-like structures, while the lowercase introduces more idiosyncratic shapes (notably in letters like a, g, r, and t), enhancing the wacky, one-off character. Numerals follow the same faceted logic with strong vertical emphasis and hard corners, keeping the set visually consistent in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸