Print Totu 5 is a regular weight, very wide, medium contrast, upright, normal x-height font.
Keywords: headlines, packaging, posters, kids projects, craft branding, playful, friendly, casual, hand-drawn, retro, human warmth, informality, approachability, handmade feel, rounded, soft, bouncy, quirky, chunky.
A rounded, hand-drawn print style with softly flared terminals and gently irregular strokes that mimic marker or brush pressure. The letterforms are generously wide with open counters and a relaxed baseline rhythm, and proportions vary slightly from glyph to glyph in a deliberately informal way. Corners are eased rather than sharp, bowls are plump, and many strokes show subtle tapering that adds warmth without looking delicate. Numerals follow the same friendly, bulbous construction, keeping a consistent color and texture in text.
This font is strongest in short-to-medium display settings such as headlines, packaging callouts, posters, and social graphics where its friendly texture can be a feature. It also fits well for kid-oriented materials, event flyers, and casual brand marks that want an approachable, hand-rendered voice. For long passages, it will be most effective at comfortable sizes with generous line spacing to maintain clarity.
The overall tone is upbeat and approachable, with a casual, homemade feel that reads as personable rather than polished. Its wide stance and rounded shapes give it a cheerful, slightly retro character that feels well-suited to fun, lighthearted messaging.
The design appears intended to deliver an easygoing, human touch through wide, rounded constructions and controlled irregularity, capturing the look of quickly drawn lettering while staying consistent enough for repeated use. It prioritizes warmth and personality over strict geometric uniformity.
Capitals are simple and sign-like, while lowercase forms lean toward single-storey, handwritten constructions (notably the a and g), reinforcing the informal voice. The ampersand is bold and rounded, matching the font’s chunky texture, and the overall spacing looks intentionally loose to preserve the hand-drawn rhythm.