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Stencil Jony 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Cord Nuvo' by Designova, 'ITC Machine' by ITC, 'Queency' by Vampstudio, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, branding, industrial, authoritative, military, retro, rugged, stencil marking, compact impact, industrial styling, display emphasis, angular, condensed, geometric, blocky, monoline.


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A condensed, heavy, all-caps-driven stencil design with tall proportions and squared-off curves. Strokes are monoline and flat-ended, with consistent stencil breaks that create crisp internal bridges and strong negative-space rhythm. Many forms use chamfered corners and clipped diagonals, giving round letters like O and C a faceted, octagonal feel. Counters are relatively tight and apertures are narrow, producing a dense, poster-like texture that stays highly uniform across letters and numerals.

Best suited for short, high-impact text such as headlines, posters, logo marks, and large-format signage where the stencil construction can read clearly. It also works well for packaging, labels, and wayfinding systems that benefit from a tough, industrial aesthetic. For longer passages, generous tracking and ample leading help maintain clarity as the dense black shapes accumulate.

The overall tone is utilitarian and commanding, with an industrial, equipment-marking character. Its sharp stencil cuts and compressed width add a sense of urgency and toughness, evoking labels, shipping, and military or tactical graphics. The faceted geometry also lends a retro display flavor that feels suited to bold, attention-grabbing statements.

The design appears intended to deliver a bold stencil voice for display typography, balancing clear letter identification with deliberate breaks that communicate a functional, marked-on-material look. Its condensed proportions and faceted curves suggest a focus on space-efficient impact for titles, labeling, and themed graphic systems.

Stencil gaps are prominent and consistently placed, which helps preserve recognition in dense settings while emphasizing a segmented, mechanical look. The lowercase echoes the caps closely, reinforcing a display-centric voice. Numerals follow the same clipped geometry, keeping signage-style consistency in mixed text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸