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Free for Commercial Use

Stencil Jofy 5 is a very bold, narrow, monoline, upright, tall x-height font visually similar to 'Polin Sans' by Machalski, 'MC Harben' by Maulana Creative, 'DIN Next' and 'DIN Next Paneuropean' by Monotype, and 'Artico' by cretype (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, labels, industrial, military, utilitarian, authoritative, mechanical, impact, stencil effect, compact headlines, system labeling, condensed, blocky, high-contrast gaps, hard-edged, modular.


Free for commercial use
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A condensed, heavy display face built from blunt, geometric forms with consistent stroke thickness. The defining feature is its stencil construction: vertical and horizontal breaks create straight bridges through counters and stems, producing strong bands of negative space that repeat across the alphabet. Curves are simplified into chunky arcs and ovals, terminals are squared, and overall spacing is tight, yielding a dense, poster-forward texture. Numerals follow the same segmented logic, keeping the set visually uniform and highly graphic.

Best suited to bold headlines, posters, and signage where the stencil pattern can be a deliberate graphic cue. It also works well for packaging, labels, and themed branding that benefits from an industrial or military-coded voice, especially at medium to large sizes.

The repeated cutouts and rigid geometry give the font an industrial, no-nonsense tone associated with labeling, equipment marking, and engineered signage. It reads as tough and directive, with a mechanical rhythm that feels functional rather than decorative.

The design appears intended to deliver maximum impact in a compact width while clearly expressing a stencil-cut construction. Its simplified geometry and consistent bridges suggest a focus on reproducible, markable letterforms that remain visually forceful in display settings.

The stencil gaps are prominent even at larger sizes, becoming a key pattern element in words and lines of text. Because the breaks intersect many vertical strokes and counters, the texture can look banded in paragraphs, reinforcing its display-oriented character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸