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Free for Commercial Use

Sans Superellipse Ikmig 1 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Imago W1G' by Berthold, 'Rice' by Font Kitchen, 'Hexos' by RantauType, and 'Rochester Serial' by SoftMaker (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, social graphics, bold, friendly, modern, confident, playful, impact, approachability, geometric clarity, display emphasis, rounded, soft corners, blocky, compact, high impact.


Free for commercial use
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A heavy, rounded sans with a superelliptical construction: bowls and counters feel like softened rectangles, and curves transition with minimal flare. Strokes are broadly uniform with gently chamfered/rounded terminals, giving letters a sturdy, compact silhouette and dense color on the page. Round letters like O/C/G read as squarish rounds, while straight-sided forms (E/F/H/I) stay blunt and stable; diagonals (A/V/W/X/Y) are thick and simplified to avoid sharpness. Figures are similarly robust and wide-set, with the 0 reading as a rounded rectangle and the 1 as a strong vertical with a firm base.

Best suited for headlines, logos, packaging, and bold UI or social graphics where a compact, rounded geometry can carry personality at a glance. It works well for short phrases, signage, and promotional copy, especially when you want a modern, friendly tone with strong emphasis.

The font projects an upbeat, approachable toughness—friendly due to its softened geometry, yet assertive because of its mass and tight, poster-like presence. It feels contemporary and energetic, with a slightly toy-like, graphic sensibility suited to attention-grabbing statements.

The design appears intended to combine maximum visual impact with approachable, rounded geometry—delivering a contemporary, geometric sans that stays soft at the edges while remaining highly legible at display sizes.

In text, the strong weight quickly builds a solid typographic block, and the squared counters can make internal spaces feel tight at smaller sizes. The overall rhythm is even and geometric, prioritizing impact and clarity of silhouette over delicate detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸