Sans Superellipse Idgab 2 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'FF Kaytek Headline' and 'FF Kaytek Rounded' by FontFont, 'Amfibia' and 'Karibu' by ROHH, 'Scansky' by Satori TF, 'Amsi Pro' and 'Sans Beam' by Stawix, and 'Ansage' by Sudtipos (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, signage, impactful, confident, playful, friendly, retro, attention capture, friendly boldness, brand presence, poster utility, high legibility, blocky, rounded, compact, punchy, chunky.
A heavy, rounded sans with compact proportions and squared-off curves that read like softened rectangles. Strokes are broadly uniform with subtly tightened joins and generous internal rounding, producing sturdy counters and a cohesive, monolithic texture. Uppercase forms are wide-shouldered and poster-like, while the lowercase keeps a tall x-height and simplified shapes that stay open at display sizes. Numerals follow the same chunky construction, with rounded corners and firm verticals that maintain a consistent, weighty rhythm across lines.
Best suited for high-impact display work such as posters, bold headlines, branding marks, packaging, and storefront or wayfinding signage where strong silhouette recognition matters. It also works well for short calls-to-action, labels, and social graphics, especially when set with generous spacing to keep counters from visually filling in.
The overall tone is bold and extroverted, mixing a friendly softness with a decisive, attention-grabbing presence. Its rounded-rectangle geometry gives it a slightly retro, sign-painting and sports-poster energy while still feeling clean and contemporary.
The design appears intended to deliver maximum punch with a friendly, rounded geometry—combining sturdy, condensed-looking massing with softened corners for approachability. It prioritizes bold legibility and distinctive word shapes over delicate detail, aiming squarely at attention-led communication.
In paragraph-like settings the dense weight creates a strong color and tight word shapes, making it most comfortable with ample tracking and line spacing. The squared curves and large terminals help maintain clarity at large sizes, where its geometric personality is most apparent.