Inline Ofho 10 is a regular weight, narrow, high contrast, upright, short x-height font.
Keywords: posters, headlines, logotypes, packaging, invitations, vintage, elegant, theatrical, whimsical, refined, decorative display, vintage revival, engraved look, boutique branding, title setting, inline detail, didone-like, decorative, display, ornate.
A decorative display serif with tall, narrow proportions and pronounced contrast between hairlines and thick stems. Most strokes are split by a fine inline channel that creates a carved, hollowed effect, while terminals stay crisp and sharply tapered. Curves are smooth and controlled, with occasional calligraphic inflections in lowercase joins and descenders. Spacing is relatively tight and vertical, producing a rhythmic, columnar texture that emphasizes height and sheen in larger settings.
This font performs best as a headline or display face for posters, editorial titles, event materials, and branding moments that want an engraved, high-style look. It can also suit packaging and invitations where a refined, decorative texture is desirable, especially when set at larger sizes with modest tracking.
The overall tone feels vintage and polished, with a boutique elegance that reads as slightly theatrical. The inline carving adds sparkle and a crafted, engraved sensibility, giving the letterforms a dressy, poster-ready presence. Despite the refined structure, some playful, looping lowercase details keep it from feeling overly formal.
The design appears intended to reinterpret classic high-contrast serif forms with an ornamental inline cut that adds visual sparkle and a sense of craftsmanship. Its narrow, vertical emphasis and decorative detailing suggest a focus on memorable titles and branding rather than extended body text.
The inline treatment is most visually prominent on vertical stems and bowls, where it creates a subtle highlight-like stripe that can appear almost dimensional at display sizes. Hairlines are very thin, and small counters and interior details may soften or fill in when reduced, so the font’s character is best appreciated when given room to breathe.