Inline Ofho 2 is a regular weight, narrow, medium contrast, upright, short x-height font.
Keywords: headlines, posters, logotypes, packaging, invites, art deco, theatrical, vintage, elegant, dramatic, ornamental display, vintage styling, engraved effect, brand voice, title emphasis, inline detail, high-waist capitals, tall ascenders, swashy terminals, calligraphic.
A condensed display face with slender proportions, tall capitals, and a smooth, calligraphic construction. Strokes are solid but visually lightened by a consistent inline cut that runs through stems and bowls, creating a carved, two-stroke effect. Terminals flare and taper with small wedges and soft hooks, and curves are generous, giving letters a flowing rhythm despite the narrow set. Uppercase forms feel more ornamental, while lowercase maintains a readable, upright cursive-leaning skeleton with a notably low x-height and long ascenders/descenders.
Best suited to display settings where its inline detail and slender rhythm can be appreciated—headlines, event posters, brand marks, packaging titles, and invitation or menu typography. It can work for short text passages at comfortable sizes, but the fine internal cut and condensed spacing favor larger, higher-contrast applications.
The overall tone is classic and showy, with a refined stage-poster energy. The inline treatment adds sparkle and formality, reading as vintage and slightly luxurious rather than utilitarian. It suggests glamour, nightlife, and period styling without becoming overly heavy or rustic.
The design appears intended to deliver a period-inspired, engraved display voice: narrow, elegant letterforms enriched with an inline channel to add dimensionality and sparkle. It prioritizes distinctive silhouettes, lively terminals, and decorative contrast effects to create memorable titles and branding.
The internal inline is generally centered and consistent, and it remains visible even in tight counters, which reinforces the engraved look. Figures follow the same narrow, decorative logic, with curved forms (like 2 and 3) emphasizing flourish over strict geometric rigidity. The texture in text is lively, with noticeable vertical emphasis and occasional swash-like joins and terminals that reward larger sizes.