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Sans Normal Obdin 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe; 'Humanist 777' by Bitstream; 'FF Transit' by FontFont; 'Frutiger', 'Neue Frutiger', 'Neue Frutiger Cyrillic', and 'Neue Frutiger Paneuropean' by Linotype; and 'FreeSet' by ParaType (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, punchy, playful, impact, attention, clarity, approachability, modernity, chunky, rounded, sturdy, geometric, compact.


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A heavy, compact sans with broad, rounded curves and mostly straight-cut terminals. The letterforms feel built from simple geometric masses: circular counters, smooth shoulders, and strong verticals with minimal stroke modulation. Spacing and proportions read tight and efficient in text, with a solid color and clear differentiation between straight-sided forms (E, F, H, N) and rounded forms (O, C, G). Numerals are similarly bold and simplified, matching the font’s dense, blocky rhythm.

Best suited for display typography where weight and presence are desired—headlines, posters, outdoor or retail signage, and bold brand moments. It can also work for short, high-contrast UI labels or callouts, but its dense color and tight counters make it more effective in larger sizes than in long-running text.

The overall tone is assertive and upbeat, with a friendly softness coming from the rounded geometry rather than sharp detail. It conveys a contemporary, no-nonsense energy that still feels approachable, making it well suited to attention-grabbing messages without appearing aggressive.

The likely intention is a high-impact sans for bold messaging: maximizing legibility through simple geometry and strong silhouettes, while keeping the tone approachable via rounded forms. It appears designed to deliver consistent visual weight and a clear, contemporary voice across letters and numerals.

The design leans toward closed apertures and compact internal spaces, which strengthens impact at display sizes and contributes to a strong typographic “stamp” effect. Curves are smooth and consistent, and the lowercase maintains a sturdy, straightforward construction that prioritizes solidity over delicacy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸