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Free for Commercial Use

Sans Contrasted Kyfy 4 is a light, wide, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, album covers, titles, futuristic, art deco, techy, stylized, dramatic, display impact, deco revival, futurism, visual signature, patterning, geometric, modular, stencil-like, hairline, cutout.


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A stylized sans with strongly geometric construction and extreme contrast between hairline connectors and dense, rounded black masses. Many letters are built from near-circular bowls and straight vertical stems, interrupted by horizontal “gaps” or bands that read like cutouts, giving several glyphs a stencil-like, segmented feel. Curves are smooth and continuous where present, while joins often resolve into crisp, tapered terminals; diagonals in characters like V/W/X/Y are thin and sharp, emphasizing a delicate, wire-like skeleton against heavier counters. Overall spacing and proportions lean expansive, with prominent rounded forms (O, C, G, 0, 8, 9) establishing a bold rhythm that alternates between solid blocks and fine strokes.

Best suited to display settings such as headlines, posters, title sequences, and brand marks where the extreme contrast and banded cutouts can be appreciated. It can also work for tech, fashion, or nightlife identities that benefit from a sleek, geometric voice, while longer passages are likely more effective at larger sizes with generous spacing.

The contrast-and-cutout language evokes a sleek, forward-looking tone with strong Art Deco and sci‑fi associations. It feels engineered and display-driven—more about visual impact and pattern than neutrality—creating a crisp, high-drama texture in headlines.

The design appears intended to reinterpret a geometric sans through dramatic contrast and systematic cutouts, creating a distinctive signature for modern display typography. The repeated horizontal breaks and hairline scaffolding suggest a focus on pattern, motion, and a futuristic/Deco visual identity rather than everyday text utility.

The segmented horizontal bands recurring across multiple glyphs create a distinctive “scanline” motif that becomes a key identifier in text. At smaller sizes, the hairline elements and internal cutouts may become visually dominant or fragile, while at larger sizes they read as intentional detailing and add kinetic texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸