Sans Normal Dybuv 6 is a regular weight, very wide, low contrast, italic, normal x-height font visually similar to 'Cairoli Classic' and 'Cairoli Now' by Italiantype (names referenced only for comparison).
Keywords: headlines, branding, posters, ui display, signage, sleek, technical, futuristic, dynamic, clean, convey motion, modernize tone, maximize clarity, project precision, oblique, extended, geometric, streamlined, open apertures.
This typeface is an oblique, extended sans with smooth, geometric construction and consistently low stroke modulation. Curves are drawn with broad, even radii, and joins are clean, giving the letterforms a streamlined, engineered feel. Counters tend to be open and generous, while terminals are mostly sheared and crisp, reinforcing forward motion. Uppercase forms read wide and stable, while lowercase maintains a tidy rhythm with straightforward bowls and simple, modern shapes. Numerals follow the same slanted, extended logic with clear silhouettes and minimal ornamentation.
Well-suited to headlines and short-to-medium display text where its extended proportions and oblique energy can read clearly. It can support branding systems that want a modern, performance-oriented voice, and works well for large UI display text, product lockups, and directional or environmental signage that benefits from clean, open shapes.
The overall tone feels modern and fast, with a purposeful, technical attitude. Its slant and wide stance suggest motion and efficiency, evoking contemporary interface design, automotive or sports branding, and understated futurism rather than warmth or nostalgia.
The design appears intended to deliver a contemporary, motion-forward sans that feels precise and efficient. By combining extended proportions with a consistent oblique slant and geometric roundness, it aims to balance speed and clarity for modern display-driven typography.
Spacing appears comfortable for display settings, with broad proportions that emphasize horizontal flow. The oblique angle is steady across letters and numerals, and the rounded geometry keeps the style approachable despite its sharp, sheared terminals.