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Sans Normal Irha 8 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Dez Now Sans' by Dezcom, 'Arpona' by Floodfonts, and 'Mato Sans' by Picador (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, logo marks, playful, retro, friendly, chunky, bouncy, display impact, retro flavor, friendly tone, motion, rounded, soft, cartoonish, swashy, bulbous.


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A heavy, rounded sans with a pronounced rightward slant and soft, inflated forms. Strokes are thick and smoothly contoured, with gentle tapering at joins and terminals that read as subtly chiseled or teardrop-like rather than blunt. Counters stay fairly open for the weight, while curves dominate the construction, giving letters a pillowy silhouette and a lively, uneven rhythm across the line. The lowercase shows single-storey shapes (notably a and g) and compact, sturdy stems; numerals are equally rounded and weighty, matching the alphabet’s soft geometry.

Best suited to short, prominent text such as headlines, posters, packaging callouts, and brand wordmarks where a warm, punchy presence is needed. It also works well for entertainment, food-and-beverage, and youth-oriented design that benefits from a retro, hand-lettered flavor. For longer paragraphs, it performs most comfortably at large sizes with ample spacing.

The overall tone is upbeat and nostalgic, evoking mid-century display lettering and comic or confectionery signage. Its generous shapes and jaunty slant feel friendly and informal, prioritizing personality over restraint. The texture is bold and attention-seeking, with a buoyant motion that keeps large blocks of text feeling energetic.

The design appears intended as a high-impact display sans that blends rounded construction with a spirited slant to convey friendliness and motion. Its softened terminals and bulbous proportions suggest a goal of creating an approachable, vintage-leaning voice for attention-grabbing typography.

The italics-like slant and swelling curves create strong directional flow, which can make spacing feel tighter in dense settings; it benefits from generous tracking and comfortable line spacing. The heaviest strokes and rounded terminals give a strong silhouette in headlines, while small sizes may lose some interior detail due to the weight.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸