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Sans Normal Myroh 9 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Cosan' by Adtypo, 'FF Milo' by FontFont, 'Praxis Next' by Linotype, 'Marat Sans' by Ludwig Type, 'Mundo Sans' by Monotype, and 'PF Adamant Sans Pro' by Parachute (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, friendly, retro, playful, confident, approachable, display impact, warmth, retro flavor, bold readability, brand voice, soft corners, rounded, bulky, bouncy, chunky.


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A heavy, rounded sans with compact counters and a strongly sculpted, cut-in feel at joins and terminals. Strokes stay consistently thick with gently softened corners, giving letters a molded, almost stamped silhouette rather than a sharp geometric one. Uppercase forms are broad and steady, while the lowercase leans into a tall x-height with single-storey shapes and distinctive, weighty bowls; small apertures and sturdy stems create a dense color on the page. Numerals match the bold, rounded construction and sit comfortably alongside text, maintaining the same robust rhythm.

Best suited to headlines and short bursts of copy where its dense weight and rounded forms can project personality—posters, packaging, branding marks, and signage. It can also work for punchy subheads or callouts, especially where a warm, retro-forward voice is desired.

The overall tone is upbeat and approachable, with a distinctly retro display energy. Its soft, chunky shapes read as friendly and informal, while the strong mass and tight counters add a confident, attention-grabbing presence.

This design appears intended as a bold, characterful sans for display typography, prioritizing impact and friendliness over delicacy. The rounded construction and tight apertures suggest a goal of creating a strong, cohesive texture that remains playful and legible at larger sizes.

Round letters like O/C/G/S show controlled curvature with relatively closed openings, increasing visual solidity at headline sizes. The design’s slightly “carved” terminal treatment helps differentiate similar shapes in bold settings and contributes to a lively, bouncy texture across lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸