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Free for Commercial Use

Inline Befa 3 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Hanley Pro' by District 62 Studio (names referenced only for comparison).

Keywords: posters, packaging, kids, comics, headlines, playful, handmade, cartoon, friendly, informal, standout display, handmade warmth, playful branding, textured impact, friendly legibility, rounded, chunky, monolinear, markerlike, bouncy.


Free for commercial use
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A chunky, rounded display face with heavy strokes that are split by a consistent inner inline, creating a hollowed, cut-through look. Forms are simplified and slightly irregular, with soft corners, uneven curves, and subtly varying stroke edges that evoke hand-drawn marker lettering. Proportions lean wide and open, with generous counters and a lively, slightly bouncy baseline rhythm; joins and terminals are blunt and friendly rather than sharp. Numerals and capitals maintain the same carved-inline construction, giving the set a cohesive, outlined-within-solid texture at headline sizes.

Best suited to display applications where the inline detail can be appreciated—posters, headlines, packaging, stickers, and social graphics. Its friendly, cartoon-like voice also fits children’s materials, casual branding, and playful event or menu typography, while longer text is likely most effective in short bursts due to the heavy, textured construction.

The overall tone is upbeat and approachable, mixing a doodled, comic sensibility with a bold sign-painting feel. The carved inline adds a crafty, playful texture that reads as casual and fun rather than formal or corporate.

This design appears intended to deliver a bold, attention-getting display style that feels hand-drawn and approachable, with the inline carve providing added character and visual depth. The goal seems to be a distinctive, fun texture that stands out in large sizes while keeping letterforms simple and highly legible.

The inner inline remains visible even in tighter shapes, producing a distinctive “cut-out” sparkle in rounds like O, Q, and 8 and a textured presence in dense letters such as M and W. The hand-rendered irregularity is controlled enough to feel consistent across the alphabet while still retaining a personable, imperfect character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸