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Free for Commercial Use

Sans Superellipse Wiso 10 is a bold, very wide, low contrast, italic, tall x-height font visually similar to 'Design System' by Dharma Type (names referenced only for comparison).

Keywords: headlines, logotypes, posters, sportswear, gaming ui, futuristic, tech, sporty, racing, dynamic, speed, modernity, impact, tech branding, display clarity, rounded, squared, streamlined, geometric, extended.


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A forward-leaning, geometric sans built from rounded-rectangle forms and smooth superelliptical curves. Strokes are uniform and robust, with soft corners and generous, rounded counters that keep the shapes open despite the heavy weight. Proportions are extended horizontally, with a tall lowercase presence and compact ascenders/descenders that create a tight, efficient vertical rhythm. Terminals are clean and sheared, and many joins favor continuous, flowing curves over sharp intersections, producing a sleek, engineered silhouette across letters and numerals.

Best suited for display typography where its extended width and slanted construction can signal speed and modernity—such as headlines, product marks, esports and gaming graphics, automotive or cycling-themed branding, and interface titles or dashboards. It can work for short bursts of text in marketing or packaging, especially when set with ample spacing and clear hierarchy.

The overall tone is fast, modern, and machine-like, with a strong sense of motion from the consistent slant and elongated width. It reads as confident and performance-oriented, evoking motorsport, sci‑fi interfaces, and contemporary tech branding rather than editorial or traditional contexts.

The design appears intended to deliver a sleek, contemporary “speed” aesthetic through consistent forward slant, rounded-square geometry, and simplified, low-detail letterforms. Its construction prioritizes a strong silhouette and high-impact presence, aiming for recognizability in branding and display applications.

The alphabet emphasizes rounded-square bowls and counters (notably in O/Q and the numerals), while diagonals and crossbars are simplified into crisp, horizontal elements. At smaller sizes the tightly spaced interior apertures and broad strokes may benefit from extra tracking, while at display sizes the uniform curvature and slanted stance become a defining stylistic signature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸