Slab Unbracketed Jazi 9 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Blame Sport' by Agny Hasya Studio, 'Hudson NY Pro' by Arkitype, 'Outright' by Sohel Studio, and 'Hockeynight Serif' by XTOPH (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, logotypes, sporty, assertive, industrial, retro, impact, motion, ruggedness, display, blocky, compact, angular, stencil-like, poster-ready.
A heavy, forward-leaning slab serif with compact proportions and squared, unbracketed terminals that read as crisp blocks at display sizes. Strokes are low-contrast and firmly constructed, with a slightly condensed, athletic rhythm and a consistent rightward slant across capitals and lowercase. The serifs and foot shapes often appear clipped or notched, creating a subtly stencil-like texture, while counters stay fairly tight and geometric. Numerals match the chunky, squared-off build, maintaining a unified, high-impact color in lines of text.
Best suited to bold headlines, sports and team branding, event posters, and punchy packaging where a strong, kinetic voice is desirable. It can also work for logos and short callouts in advertising, especially when you want an industrial, high-impact slab serif rather than a neutral sans.
The overall tone is forceful and energetic, with a competitive, sports-signage feel and a hint of vintage industrial labeling. Its sharp corners, hard terminals, and pronounced slant add urgency and motion, making it feel action-oriented and confident rather than refined.
The design appears intended to deliver maximum impact with a fast, forward-moving posture and sturdy slab construction. The clipped, squared terminals and compact rhythm suggest a purpose-built display face for attention-grabbing titles that need to feel tough, mechanical, and energetic.
In running text the dense set and strong blacks create a loud typographic voice, with distinctive notched feet and squared joins giving repeated shapes a patterned, mechanical regularity. The italic structure is integral to the design rather than a simple oblique shift, helping headlines feel dynamic even in short phrases.