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Free for Commercial Use

Sans Superellipse Onded 5 is a regular weight, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Nomenclatur Mono' by Aronetiv, 'ATC Harris' by Avondale Type Co., 'Gravitica Mono' by Ckhans Fonts, 'HF Monorita' by HyFont Studio, and 'License' by Indian Type Foundry (names referenced only for comparison).

Keywords: code, terminal, ui labels, data tables, dashboards, technical, utilitarian, modern, systematic, neutral, clarity, alignment, modernization, utility, boxy, rounded, geometric, sturdy, compact.


Free for commercial use
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A compact monospaced sans with sturdy, box-like outlines softened by rounded corners. Curves are built from squarish bowls and superellipse-style rounds, producing a consistent, engineered rhythm across letters and figures. Strokes are even and blunt-ended, with tight interior counters and minimal modulation; terminals feel cut cleanly and horizontally, keeping forms crisp at text sizes. Uppercase shapes read dense and stable, while lowercase retains straightforward, single-storey construction where applicable, maintaining the same rectangular logic throughout.

Well-suited to code, terminal output, and any environment where column alignment and predictable character widths matter. It also fits compact UI labels, settings panels, dashboards, and data tables where sturdy forms and consistent spacing help maintain legibility.

The overall tone is pragmatic and no-nonsense, with a calm, technical character typical of interface and code-facing typography. Its rounded-rectangle geometry adds a friendly softness without becoming playful, keeping the voice professional and restrained.

The design appears intended to provide a clean, dependable monospaced voice with a modern rounded-rectilinear construction. It prioritizes consistency and grid alignment while softening the strictness of geometric forms through rounded corners and compact counters.

Spacing appears strictly uniform per character, reinforcing a grid-like texture in paragraphs. Numerals and punctuation follow the same squared-round construction, and the heavy, consistent silhouettes create strong word shapes with clear alignment and predictable rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸