Sans Normal Kobum 10 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Normatica' by CarnokyType, 'DF Dejavu Pro' by Dutchfonts, 'News Gothic No. 2' by Linotype, 'Interval Sans Pro' by Mostardesign, 'Fintalux' by Pista Mova, 'Hamburg Serial' by SoftMaker, 'Kommon Grotesk' by TypeK, and 'TS Hamburg' by TypeShop Collection (names referenced only for comparison).
Keywords: branding, posters, headlines, advertising, packaging, sporty, contemporary, dynamic, confident, friendly, attention grabbing, modern branding, energetic tone, display clarity, rounded, geometric, oblique, compact, clean.
A heavy, rounded sans with a clear oblique slant and smooth, low-contrast strokes. Curves are broadly circular with softened terminals, while straight strokes stay sturdy and consistent, giving the alphabet a clean, modern rhythm. Uppercase forms are compact and stable; lowercase shapes are simple and open, with single-storey “a” and “g” that emphasize clarity at display sizes. Numerals are similarly robust and rounded, matching the letterforms in weight and curvature.
Best suited for short-to-medium display settings where a strong, slanted voice helps grab attention—headlines, posters, campaign graphics, and branding systems. It can also work for bold interface accents or labels where legibility and a compact, energetic presence are desired.
The overall tone feels energetic and forward-leaning, with a contemporary, sporty confidence. Its rounded geometry keeps it approachable rather than severe, making it well-suited to upbeat and modern brand voices.
Designed to deliver a modern, motion-forward sans with rounded geometry and a sturdy presence. The emphasis appears to be on impactful display readability and a friendly, contemporary character that stays clean and consistent across letters and figures.
The italic angle is pronounced enough to add motion without distorting counters, and the wide, even strokes produce strong color in blocks of text. Round characters like C, O, Q, and G read as clean ellipses, while letters such as K, R, and S keep a tidy, controlled construction that reinforces a consistent, engineered feel.